Vești foarte bune!

In ianuarie scriam că am terminat primul draft al povestirii despre Călătoria lui Arthur pe tărâmul celălalt. Ieri am semnat contractul cu o editură care îmi place foarte mult: DPH (Didactica Publishing House) și care are nenumărate cărți pentru copii: așadar este locul ideal pentru Arthur al meu! Abia aștept să țin cartea în mână!Continue reading “Vești foarte bune!”

First Steps (43)

First Steps-Struggle. Love. Cry. Hope. exploits current reality however it may be, beautiful or painful, as life itself. It recreates a contrasting atmosphere. First, there are the stories of four remarkable women, the main characters (and their friends): Azade, coming from the Orient (and her relationship with Bryan); Azade’s college friend who settles in Switzerland, Ana (with Mircea); Ana’s Romanian adolescence friend, Amanda (with Ioan); and Amanda’s friend Maria (who is in love with another girl, Cezara). Second, there are tragic, real contemporary events, because evil is omnipresent: in the Iraq war, in the tragedy of the “Colectiv” Club and in that of the “Pulse” Club.

First Steps (42)

First Steps-Struggle. Love. Cry. Hope. exploits current reality however it may be, beautiful or painful, as life itself. It recreates a contrasting atmosphere. First, there are the stories of four remarkable women, the main characters (and their friends): Azade, coming from the Orient (and her relationship with Bryan); Azade’s college friend who settles in Switzerland, Ana (with Mircea); Ana’s Romanian adolescence friend, Amanda (with Ioan); and Amanda’s friend Maria (who is in love with another girl, Cezara). Second, there are tragic, real contemporary events, because evil is omnipresent: in the Iraq war, in the tragedy of the “Colectiv” Club and in that of the “Pulse” Club.

First Steps (41)

First Steps-Struggle. Love. Cry. Hope. exploits current reality however it may be, beautiful or painful, as life itself. It recreates a contrasting atmosphere. First, there are the stories of four remarkable women, the main characters (and their friends): Azade, coming from the Orient (and her relationship with Bryan); Azade’s college friend who settles in Switzerland, Ana (with Mircea); Ana’s Romanian adolescence friend, Amanda (with Ioan); and Amanda’s friend Maria (who is in love with another girl, Cezara). Second, there are tragic, real contemporary events, because evil is omnipresent: in the Iraq war, in the tragedy of the “Colectiv” Club and in that of the “Pulse” Club.

First Steps (40)

First Steps-Struggle. Love. Cry. Hope. exploits current reality however it may be, beautiful or painful, as life itself. It recreates a contrasting atmosphere. First, there are the stories of four remarkable women, the main characters (and their friends): Azade, coming from the Orient (and her relationship with Bryan); Azade’s college friend who settles in Switzerland, Ana (with Mircea); Ana’s Romanian adolescence friend, Amanda (with Ioan); and Amanda’s friend Maria (who is in love with another girl, Cezara). Second, there are tragic, real contemporary events, because evil is omnipresent: in the Iraq war, in the tragedy of the “Colectiv” Club and in that of the “Pulse” Club.

First Steps (39)

First Steps-Struggle. Love. Cry. Hope. exploits current reality however it may be, beautiful or painful, as life itself. It recreates a contrasting atmosphere. First, there are the stories of four remarkable women, the main characters (and their friends): Azade, coming from the Orient (and her relationship with Bryan); Azade’s college friend who settles in Switzerland, Ana (with Mircea); Ana’s Romanian adolescence friend, Amanda (with Ioan); and Amanda’s friend Maria (who is in love with another girl, Cezara). Second, there are tragic, real contemporary events, because evil is omnipresent: in the Iraq war, in the tragedy of the “Colectiv” Club and in that of the “Pulse” Club.

First Steps (38)

First Steps-Struggle. Love. Cry. Hope. exploits current reality however it may be, beautiful or painful, as life itself. It recreates a contrasting atmosphere. First, there are the stories of four remarkable women, the main characters (and their friends): Azade, coming from the Orient (and her relationship with Bryan); Azade’s college friend who settles in Switzerland, Ana (with Mircea); Ana’s Romanian adolescence friend, Amanda (with Ioan); and Amanda’s friend Maria (who is in love with another girl, Cezara). Second, there are tragic, real contemporary events, because evil is omnipresent: in the Iraq war, in the tragedy of the “Colectiv” Club and in that of the “Pulse” Club.

First Steps (37)

First Steps-Struggle. Love. Cry. Hope. exploits current reality however it may be, beautiful or painful, as life itself. It recreates a contrasting atmosphere. First, there are the stories of four remarkable women, the main characters (and their friends): Azade, coming from the Orient (and her relationship with Bryan); Azade’s college friend who settles in Switzerland, Ana (with Mircea); Ana’s Romanian adolescence friend, Amanda (with Ioan); and Amanda’s friend Maria (who is in love with another girl, Cezara). Second, there are tragic, real contemporary events, because evil is omnipresent: in the Iraq war, in the tragedy of the “Colectiv” Club and in that of the “Pulse” Club.

First Steps (36)

First Steps-Struggle. Love. Cry. Hope. exploits current reality however it may be, beautiful or painful, as life itself. It recreates a contrasting atmosphere. First, there are the stories of four remarkable women, the main characters (and their friends): Azade, coming from the Orient (and her relationship with Bryan); Azade’s college friend who settles in Switzerland, Ana (with Mircea); Ana’s Romanian adolescence friend, Amanda (with Ioan); and Amanda’s friend Maria (who is in love with another girl, Cezara). Second, there are tragic, real contemporary events, because evil is omnipresent: in the Iraq war, in the tragedy of the “Colectiv” Club and in that of the “Pulse” Club.

First Steps (35)

First Steps-Struggle. Love. Cry. Hope. exploits current reality however it may be, beautiful or painful, as life itself. It recreates a contrasting atmosphere. First, there are the stories of four remarkable women, the main characters (and their friends): Azade, coming from the Orient (and her relationship with Bryan); Azade’s college friend who settles in Switzerland, Ana (with Mircea); Ana’s Romanian adolescence friend, Amanda (with Ioan); and Amanda’s friend Maria (who is in love with another girl, Cezara). Second, there are tragic, real contemporary events, because evil is omnipresent: in the Iraq war, in the tragedy of the “Colectiv” Club and in that of the “Pulse” Club.